Williamson’s been through a lot, and he knows the zeitgeist when he sees it. The crude nature of this music as a mode of overall expression, whether it’s in the unrelenting use of swearing or in Fearn’s cloddish rhythms, might be the most powerful tool this band has at its disposal, particularly in terms of making a connection to a bigger audience. Divide and Exit is nasty as fuck, overloaded with attitude, clever, funny and it screams the truth. They are generally classified as punk; I came across "Divide and Exit" after I heard several people call it the punk album of the year. The rhythms are sometimes lithe, sometimes chugging, and littered with strange slivers of tunes that bring just enough fresh air to the record to stop it becoming bleak rhetoric. There’s a similar conviction to those works here—it’s difficult to imagine anyone else being able to pull off a line like “the state is no longer your voice” on “Under The Plastic And N.C.T.”, so convincing is the tenor in Williamson’s voice. Read honest and unbiased product reviews from our users. £20. Williamson has had a few attempts at getting somewhere in music before. Sleaford Mods songs follow a simple formula, repeated 14 times on Divide and Exit. New Music. £20. Divide and Exit sound raw, they are the kind of "band" that gets my head working along with my hands. Divide and Exit review – Sleaford Mods excel in creative obscenity (Harbinger Sounds) Phil Mongredien. Find helpful customer reviews and review ratings for Divide And Exit at Amazon.com. George’s flag twat,” he growls). The blues, the Streets, the Fall: the truth is that Sleaford Mods sound like Sleaford Mods. £20. Some of the acts regularly mentioned in the same breath as Sleaford Mods include the Streets, the Fall, and English punk-poet John Cooper Clarke. 0 Comment Report abuse Turner Prize winning artist Jeremy Deller recently exhibited pictures drawn by prisoners of the Iraq war, which depict the chief architects of the conflict, including Tony Blair and former UN weapons inspector Dr. David Kelly. Heather Phares of All Music closed her review with this- "Divide and Exit is the brilliantly blunt gut-punch that began a momentous year for Sleaford Mods." Released 28 April 2014 on Harbinger (catalog no. One … £18. Words by Fergal Kinney. It barely matters because what makes Sleaford Mods work is a universal expression of exasperation, of finding yourself in a position where your ideals are trampled on so hard every day that it feels like society barely has a place for you. Divide And Exit Luke Turner, May 2nd, 2014 07:23 Sleaford Mods snap at you, lumber at you, insult you, your friends, probably some of your family too. 50+ videos Play all Mix - Sleaford Mods - Divide & Exit ALBUM REVIEW YouTube Talking Heads: Worst to Best - Duration: 22:12. theneedledrop Recommended for you 25 November 2020. But the humour in Sleaford Mods isn't inclusive; it's bracing and horrific. It's most reminiscent of another duo who backed spoken mockery of contemporary culture with none-more-spartan music, I, Ludicrous. ... working my way through sleaford mods back catalogue. The album received positive reviews from Pitchfork and The Guardian, who named it … I think it’s fair to say that the Nottingham duo of Jason Williamson and Andrew Fearns, mixing beats, samples with sharp, witty lyrics and punk delivery have come up with a bit of classic. They’re so poor, so lacking in laughs, that they resemble the kind of forced-grin jollity people put on when they’re at an absolute low, scrambling around for something, anything, to get them through the day. Reviews Sleaford Mods Eton Alive Luke Turner , February 27th, 2019 10:46. I t would be easy to go overboard about Sleaford Mods – here at last is … Even the jokes and puns Williamson scatters through his songs form a particular function if you can dig past them as surface level chatter. Any decent music? The best example are tracks such as “Strike Force” and “Keep Out of It” that juxtapose Williamson’s rage in the verses with catchy hooks. Albums include The Day Is My Enemy, Divide and Exit, and Key Markets. Divide and Exit sound raw, they are the kind of "band" that gets my head working along with my hands. ... Sleaford Mods – ‘Divide And Exit’ ... and Sleaford Mods were born. Helpful. 1. A recent tweet from Sleaford Mods succinctly sums up both the position they find themselves in and the feeling they reflect in their music: “This is our time.”. Vocalist Jason Williamson is the catalyst for the flood of complaints on Divide and Exit. “I used to be in bands, fuckin’ hated it” is the slogan on Sleaford Mods’ Bandcamp page. The poets laureate of the council estates! Sleaford Mods - All That Glue White Double Vinyl. Live Reviews. The Grantham, England, duo Sleaford Mods newest album, Divide and Exit, is about as punk as punk gets in 2014: Singer Jason Williamson speed … £20. The soundtrack to austerity! New & Upcoming Album Releases. Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. The formula is … Sleaford Mods are not from Sleaford, not mods, and not a hip-hop group. Genres: Post-Punk, Art Punk, Spoken Word. This, as well as being musically as far away as you can get from today’s corporate, nostalgic love-in. There are traces of those artists here, but only dim ones in the overall picture. … Sleaford Mods, arguably the UK's most exciting and popular garage rock unit, follow up the acclaimed 'Austerity Dogs' with 14 top shelf songs on 'Divide and Exit' for Steve Underwood's legendary Harbinger Sound. Still, disappointment and Williamson has declared an admiration for the kitchen sink drama of Alan Sillitoe’s Saturday Night and Sunday Morning, and his ceaseless depiction of a life marred by petty violence, discontent, and resentment resembles the work of filmmaker Alan Clarke, whose Scum and Made in Britain are chilling depictions of societal outcasts whose lives are caught in utter stasis. Inciteful … Nottingham duo Sleaford Mods. Profanity, jokes, and commentary come thick and fast, with Williamson often sounding like he’s in an argument with himself, or addressing someone whose identity forms around his words as the song progresses. Williamson sounds charged, wired, determined to make one last go of things, simultaneously expressing his frustration at the helplessness of it all and finding his words taking him somewhere beyond his current predicament—a juxtaposition that could have fascinating implications for this band’s future. Sleaford Mods - All That Glue Double Vinyl. Great to listen to while wrenching on my bike, cleaning the garage or doing chores. £22. They’ve already released a ton of music, most of which got nowhere, until last year’s Austerity Dogs, which gained rolling acclaim as a treatise on the State of Things in contemporary England. Reviews of Divide And Exit by Sleaford Mods, Album number seven from the Nottingham electro-punk duo . Reviews. Sleaford Mods. HARBINGER121CD; CD). Sleaford Mods - Spare Ribs Green Vinyl. £20. Sleaford Mods - All That Glue White Double Vinyl. It took Sleaford Mods nearly eight years to make their breakthrough album, but what a breakthrough: Divide and Exit doesn't just build on the momentum Jason Williamson and Andrew Fearn began with 2013's Austerity Dogs, it kicks down the door and announces Sleaford Mods as one of the most truly punk outfits of the 2010s. Sleaford Mods - Austerity Dogs Neon Yellow Vinyl. Instead, Divide and Exit is about as punk as punk gets in 2014. Sleaford Mods arm their brash, aggressive secondwave punk sound with vicious and profane barbed-wire raps and gruff, repetitive choruses. Pitchfork is the most trusted voice in music. Divide and Exit, an Album by Sleaford Mods. On “A Little Ditty” he rants about “gnarly coke-death faces, death death death, nine to a cubicle.” Of course, after such disturbingly lucid thinking, the song ends with a voice saying: “That was shit that end bit, mate.”. Album Divide and Exit. Their next album, post audience expansion, should be interesting, especially as Williamson drops enough music industry references into his songs to suggest he’s got an astute grasp on how its machinations work. ... As several reviews have picked up, ... Divide and Exit Sleaford Mods. There are cultural references that will mean nothing to many people outside the UK, most prominently on “Tiswas”, named after a kids’ TV show ("Tiswas") that ran from the mid 1970s to the early 80s. They're a force of nature, of testosterone and English crossness; of bile and humour. The Grantham, England, duo Sleaford Mods newest album, Divide and Exit, is about as punk as punk gets in 2014: Singer Jason Williamson speed-talks bile while Andrew Fearn provides coarse backing tracks, which barely get beyond cheap plastic keyboard presets. £20. Great to listen to while wrenching on my bike, cleaning the garage or doing chores. Sleaford Mods - Austerity Dogs Neon Yellow Vinyl. There are no half-measures, no stylistic arcs, no organic steps taken, no time at all to let it sink in and decide if this is something you might like. What Divide and Exit offers is disgust – not with the the state of the nation, but with everything: people wallowing in nostalgia watching old punk bands; "vegetarian vets"; those who leave workplace toilets smelling; "St George's flag twats" and buses whose gears grind. Sleaford Mods are the type of band that force you to have an opinion on them within about five seconds of hearing their music. £12 – but, judging by their seventh album, "singer" Jason Williamson would scorn the notion. Complete your Sleaford Mods collection. They are known for their abrasive, minimalist musical style and embittered explorations of austerity-era Britain, culture, and working class life, delivered in Williamson's East Midlands accent. Sleaford Mods - Spare Ribs Green Vinyl. £18. Sleaford Mods - Divide And Exit Can’t believe the rich still exist… On a strong follow-up to last year’s bracing Austerity Dogs, Sleaford Mods arm their brash, aggressive secondwave punk sound with vicious and profane barbed-wire raps and gruff, repetitive choruses. Instead, Sleaford Mods are tapping into a feeling the UK has traditionally found a more expressive home for in mediums other than music. You can almost feel Williamson’s skin prickling in the places he goes to in these songs, some of which are outlined in unrelentingly grim terms. It might sound unlikely, but a man who frequently references toilet habits in songs has become one of the most sharp and funny chroniclers of his country's widespread slump into disillusionment. Produced by Sleaford Mods. Regardless of genre and output, Sleaford Mods know their style and do what they do well on Divide and Exit. Sleaford Mods – Divide & Exit (Harbinger Sound) June 20, 2014 June 20, 2014 3 min read Tim Russell Ever since Hunter S Thompson got his arse handed to him by the Hell’s Angels and built a career on it, writers have got their kicks and their cred from cosying up to the rough boys. Edit Release All Versions of this Release Review Changes . Sleaford Mods - All That Glue CD. Genres: Post-Punk, Art Punk. Discover releases, reviews, credits, songs, and more about Sleaford Mods - Divide And Exit at Discogs. Sleaford Mods - Divide And Exit Blue Vinyl. Divide And Exit sees Sleaford Mods once again released on the elusive Nottingham-based low-profile Harbinger Sound label. Sleaford Mods: Divide And Exit ‎ (LP, Album, RP, Red) Harbinger Sound: HARBINGER121: UK: 2015: Sell This Version: Recommendations Reviews Add Review [r5769005] Release. Hello. not been disappointed yet, best band around. Fearn triggers his economical music, allowing it to repeat until close, while Williamson gets lost in a blizzard of words, sometimes to the point of tripping over himself (on “Smithy”, about fashion designer Paul Smith, on this album). He hops from that kind of thinking to scathing critique in a heartbeat, calling out people who talk in fake regional accents on “Livable Shit” and then lambasting pointless nationalist loyalty in the same song (“St. Sleaford Mods are playing sell-out shows in the UK, gaining blanket acclaim everywhere. It would be easy to go overboard about Sleaford Mods – here at last is the authentic voice of dispossessed England! Sleaford Mods - Divide And Exit Blue Vinyl. It’s been a half-decade since the one-two punch of ‘Austerity Dogs’ and ‘Divide and Exit’ pushed Sleaford Mods into unexpected crossover success. Sleaford Mods discography and songs: Music profile for Sleaford Mods, formed 2007. Includes the single, Tiswas. Read and write album reviews for Divide and Exit - Sleaford Mods on AllMusic Singer Jason Williamson speed-talks bile while Andrew Fearn provides coarse backing tracks, which barely get beyond cheap plastic keyboard presets. They’re a band of inherent contradiction, neither coming from the English town of Sleaford nor being mods, although Williamson’s appearance bears traces of a mod past. 10 reviews » Divide And Exit by Sleaford Mods is the follow-up to their breakthrough compilation album, Austerity Dogs. Sleaford Mods Eton Alive (Extreme Eating) 8/10. Once dismissed around their native Nottingham as "two skip rats with a laptop" the last 12 months has seen the Sleaford Mods simply knock all their distractors clear out of the way. £12 Like the rest of ‘Divide and Exit’ it’s brilliant, stimulating, terrifying, without question the kick in the bollocks music needs. Sleaford Mods - All That Glue Double Vinyl. Sat 26 Apr 2014 19.05 EDT. They’re a duo from Grantham in England, a place most famous for being the birthplace of former Prime Minister Margaret Thatcher. £22. We review the reviews. Sleaford Mods are an English electronic punk music duo formed in 2007 in Nottingham.The band features vocalist Jason Williamson and, since 2012, musician Andrew Fearn. The works are raw and technically poor, but the bitterness and hatred they express is overwhelming, illustrating how base feeling, when expressed with such belief, can overcome any window dressing put up around it. Sleaford Mods - All That Glue CD. Rated #623 in the best albums of 2014. It even sounds like it offers disgust at those who do nothing but express their own disgust: "Nicked your biscuits, laughed with your mates, wanked in the toilet, you fucking tit rifle," says Williamson before offering the mordant chorus: "You're brave," which sounds like it's directed back at the song's narrator. You get the final word. My respect for Heather's music insights is high as she does a superb job of articulating her impression of a given release with this Divide And Exit as no exception. Where Sleaford Mods take their wonderfully foul-mouthed antagonism from here is anyone’s guess, but it scarcely matters when they’re so vividly depicting the now. The current foul-mouthed darlings of music press from London to New York, Nottingham’s Sleaford Mods, have unleashed their eighth album, Divide and Exit… Photograph: Simon Parfrement. All I could think of when I heard them, however, was that they were a rap group. It's updated daily. They’ve got all of two gears; mad, and really fucking mad. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Divide and Exit received an average score of 81 based on eleven reviews, indicating "universal acclaim". And unbiased product reviews from our users do well on Divide and Exit sound raw, are... 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